Thursday, October 8, 2009

Back....sort of


Well its been about 6 weeks since my last post which is a bit poor but don't think the responsibility has not been weighing heavily on my shoulders...so its time to get back into it.

Do you want my excuse? Moving studio and having no internet connection for starters and also new freelance work seems to be finding its way to me almost every day. I really cant complain but its probably because everyone is sacking designers and employing freelancers. Some stuff I am working is on quite interesting but some of its working for 'the man' - high street stuff - low browed and high paid. Not that I could ever see Stansfield in one of these monstrosities but its nice to get the work/money and you always learn something from it.


But keep shopping independently...

Another project I am working on is for one of my oldest and best friend's from Manchester's company. Will post about this another day when we are finished but we are channeling the spirit of 80s and early 90s hip hop - the golden era and all that (my mastermind subject) - and starting off with Champion-esque sportswear. Every man should own at least one Champion reverse weave sweatshirt (I have about 10!) - the 100% cotton ones with the 'C' chest logo - so that's what were doing and keeping it accurate and faithful, with a nice little logo.


Lots of Stansfield developments to show and tell but will save that for another day.....been working hard designing about 28 jackets an hour for Lidl's couture pop-up in-store boutique collection.

Plus.....I picked up an incredible jacket today - British, circa 1948-54 (Britains clothing manufacturing golden age), Royal Air Force, rare as hens teeth, bloody expensive, smock, ventile (seemingly designers new buzz fabric...will be everywhere soon I imagine) anyway I would show a picture but some little rotter doing freelance for Tesco's Finest Vintage range will probably nick it.

I have lots of great vintage pieces but its just too risky to post on here until the last minute and our versions are ready to go! For example my friend was wearing a jacket the other day - its a Royal Navy ventile pullover smock - I thought he'd managed to get hold of a vintage one and they are super rare so it got me interested. I own one but its not sort of thing you see on the street or even on the internet. Anyway he told me it was from guess who?

Yes...RRL.

Except some bright spark in their design department decided they would put a whopping big, fake stenciled flag on the back.....typical.

They are also claiming its an American vintage piece which is even more annoying from someone who has made a career and billions copying British style calling it American and then making it in China...only joking! (sort of).

I will settle the record when we release our version (Spring/Summer 2011 - yes its a long way away but not that long for me work-wise) declaring its Britishness and my sovereign right to copy/reference it and release to the public. It will be made in Manchester which is incidentally my home town and the home of ventile - created by scientists at the wonderfully named Shirley Institute which is also in my old stomping ground of Didsbury....this ones personal. More about ventile to come.

And I will not be putting a flag on the back either.

Anyway I will leave you with some World War II propaganda posters;

















Wednesday, August 19, 2009

BEST OF BRITISH



Its only fair that if I post what I don't like about British menswear then I should also post about
the people who I admire. So below is my list of the current great and good of British menswear labels.

This does not include all the classic heritage British brands, such as Tricker's, Barbour, Macintosh etc, because that would just go on for too long...and maybe reveal too many secrets!

I have surely missed some labels off there, so let me know if theres anyone else you think worthy of recognition;

(who in my opinion is the No.1 in the world, never mind the UK)


















and a couple of new ones that caught my eye...





plus of course (cough, cough)...

RUSHMOOR
(R.I.P)


(ps. the website is in the process of an amazing makeover)

FASHION IDIOTS...


Posting about the pioneers of British menswear got me thinking about why they were so successful. I think the main reason is they were never interested in playing the fashion game and playing to the fashion crowd (mafia) because what they were doing had substance and was beyond those peoples tiny minds.

Most importantly their gear actually sold to customers instead of being a ludicrous concept existing only in the mind of the designer and maybe 2 or 3 of his 'fashion' friends or on the no doubt bulging sales rails at somewhere like B Store in London - the mecca for all things wanky and irrelevant.

To be honest (and this is at the risk of alienating people but fuck it - I'm in a bad mood)....I hate fashion kids....the kind of people who think;

i) the MAN show is exciting - when its just a vanity project for a certain group of London stylists who have not got a clue what real men want and think menswear only exists between the pages of their pretentious and increasingly irrelevant fashion magazines. As if being in league with those parasites at Topman is not shame enough?

ii) that Kim Jones is a good designer.

iii) ''workwear is a hot look this summer'' is a cool thing to say.

I wish they would all fuck off and leave us all alone and go back to worshipping the likes of Hedi Slimane - which of course they will because everything is a trend for them.

Anyway...rant over. If you don't like it I couldn't really give a shit because I am expecting more people will wholeheartedly agree with me than disagree....if not then I'll get my (CC41 salt & pepper factory shop steward's) coat...

YMC STORE



I love YMC....always have done, always will.

Many moons ago when I was a fashion student this was probably the brand I admired the most. They showed that you didn't need to be a huge company to be an international brand and along with the likes of Duffer and 6876 pioneered independent British menswear in the 90s.

The stuff they were doing then is so relevant now and shows how far ahead of the curve they were. Often imitated and always highly original Fraser is still one of the best designers out there and is very much up on his stuff (ie. geeky - a good thing obviously!).

Fraser and Jimmy are also two of the nicest people you will meet in this industry and fully deserve all their success. They have now opened a new store on Poland Street in Soho....and very nice it is too - full to the brim of a brilliant, twisted Victorian imagination;







Friday, July 24, 2009

I WANT ONE OF THESE....LEICA D-LUX 4 SAFARI






Not sure if these are any good, at £765 you would hope so, but just look at it!

I love the vintage styling of Leica, who are a proper camera company, but its the olive drab green colour that (shallowly) got me.

Looks like a general issue military camera more than a safari camera to me, the sort of thing Robert Capa would carry on his holidays!

Thursday, July 23, 2009

SMOCKS & URSULA SUIT SIGHTING


I am watching lots of British war films at the moment, especially any about the Royal Navy and World War II. One of which is Cockleshell Heroes.
Cockleshell Heroes is a 1955 film, starring and directed by Jose Ferrer, based on the true story from World War II of Operation Frankton. I will post more about this film in the future as it plays a key role in the Spring/Summer 2010 collection.

I wanted to watch the film as I was researching the British Royal Navy's special forces unit, the SBS (Special Boat Service).

(old badge above, new badge below)

Seen in action with this nifty little manoevure here onto a Chinook Helicopter.


I was particularly looking at this film for the smocks they used. It turns out they are wear the 1942 Windproof Smock. I'm not sure how accurate it is that they wore these in Operation Frankton but they seem to make sense.

This is often mistakenly called the 1942 SAS Smock, which is wrong as the Special Forces were not getting their own specialist kit manufactured during World War II. This jacket was however issued to scouts and snipers in infantry battalions...and is just an amazing piece.

They can also be seen in these excellent photographs from Oman in 1970 of the 22nd SAS Regiment during Operation Storm.

And are apparently still worn today by the SAS in Afghanistan, in slightly updated versions.

I much prefer the Windproof Smock to the more famous Denison Smock, which was designed for Paratroopers during World War II.

However the smock I was hoping to see was one I saw at the Imperial War Museum.

Apologies for the poor photo as its hard to get a good shot through the glass. This is a really interesting piece, which I still can't find any more information about except what it says in the museum;

"Uniform of R.Maitland-Flanagan, a Royal Navy diver attached to the SBS and other Special Forces for operations in the Aegean and Adriatic Seas''

Theres some really nice gear and all very well dispayed at the Imperial War Museum in London.

Its free and well worth a visit. I will post again on some findings from here.

As is often the case with research you go looking for one thing and although you dont find it you end up finding out lots more interesting and amazing stuff. So although I was disappointed not to find the SBS smock in the film and I already knew all about the 1942 Windproof, I did see an Ursula Suit - which I have posted about previously.

I am 100% confident that this is the Ursula Suit, its in pristine condition and just looks
amazing - for the brief time it appears in the film.

We also see the roll neck submarine ''Woolly Pully'' - worn with a silk scarf.

And some nice suave officer style;

It also probably needs saying that Britain churned out lots of war films in the 1950s, although many were great, not all of them were that good. Cockleshell Heroes is not particularly notable, with some key faults, but is reasonably enjoyable nevertheless.

Although quite rare for the time, the fact that it was one of the early films shot in the full colour, widescreen cinemascope format.



And that the general production quality was very high helps me with lots of good style tips and examples of vintage British military clothing.

I stumbled across another great piece watching this film, but I will save that for a future post....

Wednesday, July 15, 2009

Deep Focus



I was talking to my friend in Hong Kong the other day about Gregory Crewdson, she was saying she saw it on the blog and was also a big fan. She also said there was a big similarity in his work with Orson Welles and the way he put everything in focus. Now I am a huge fan of Orson Welles, an amazing talent and he seemed like a real character. Touch of Evil and Citizen Kane are two of my favourite films but what I didn't know was he pioneered, together with his cinematographer Gregg Toland, the use of what's called deep focus.

Deep Focus is a technique which incorporates a large depth of field so the foreground, middle ground and background are all in focus. Apparently its all over Citizen Kane and the film is famous for its use of it, which passed me by but I get what they mean now when I see the screenshots. Anyway it gives me another excuse to watch it again and it really does deserve all the accolades.




Its also used in The Last Picture Show, another favourite of mine.


And a great film for Americana style references.


Anyway what this got me thinking about was HDR (High Dynamic Range) photography. According to wikipedia 'HDR is a set of techniques that allows a greater dynamic range of luminances between light and dark areas of a scene'. Which explains it better than I could but I think the idea is that its basically meant to better represent the different lights and shadows the actual eye sees in a scene.


However I'm no photography geek and the technical stuff goes way over my head but I do know
that HDR can be quite frowned upon and seen as fake. While its definitely true some pictures look very cheesy and computer gamey in the wrong hands.


But in the right hands it can look seriously impressive, especially on landscapes and skies;


And cityscapes;





But then again, like I said, I'm not a photography purest and just like what I see. So sorry if its naff!

After browsing around further I came across one person who seems to have really got a handle on the technique and put it to more interesting use than the classic HDR shots you see.


Fortunately he seems to like taking pictures of abandoned buildings and machinery, similar to those Detroit pictures I posted before. His name is Ed Roppo and the shots below are from his Flickr but apparently he also has a photography book too. Anyway there are so many of them on there and they are all pretty much amazing. They are certainly worthy of further exposure...if you pardon the pun;













Now I'm left to wonder if its possible to do something like this for a look book shoot, without it turning out like a screen shot from Grand Theft Auto?

And even though I loved the show I'm not sure it worked on the Soprano's adverts either.


Anyway I discovered something else now....Tilt-Shift Photography;

And its answered some prayers...fresh post to come.

Pop-Up Store in Central London


Not many posts recently but I've got Pea Coats to go through, war stories to tell and other things I'm sure. We are also working on some new projects, which I hope will be interesting. Just got to get it out of my head and onto this damn blog thing.

Now down to business...

We are part of the Swanfield collective which consists of like minded people in East London (although I'm more West Side these days) who do fashion, art, music and things. Everyone is quite nicely linked together in that there is a lot of deference for simpler times and the good ol' days, which is very much my cup of tea. For almost a year now we have been doing a Sunday Pop-Up Boutique near Brick Lane.

But starting next week and running through the Summer we will be Guerilla-ing further with a new pop-up store opening in Central London, right off Newburgh St on Lowndes Court, next to some Eurotrash Italian brands shop....but don't let that put you off!

One of the lynchpins Katherine from Mine is a very good, old friend of mine and her vintage inspired gear for girls is superbly creative, another lynchpin Cissi is too and her coats are excellent and have impeccable provenance; Italian fabrics and East London production. Ava Dollskull (or Anna as I know her) is also one of my best friends and her jewellery could only come from her amazing, twisted imagination. Also Fanny Bostrom is just a brilliant artist (and blogger)...I could go on...anyway it will all be good I'm sure...when I finally get to see the place myself!

We will have stock old and new in our little section, so if you live in London come and pop your head in...and bring your girlfriend or something because a lot of it is a bit y'know....girly. Not very rugged.

Anyway here's the official thing we are putting out;

We've finally moved into our brand-new shop!

Open July 17th - Sept 13th - combining a boutique for men & women with selected vintage pieces, a gallery, cafe and live music venue,
Swanfield on Tour promises to be a slice of East London creativity in the heart of Soho for the summer!


We hope you can all make it down to join us for our first party
Opening night this Tuesday from 6pm

with guests
Josh Weller & Oh Ruin live instore

Lullaby bye bye -
Selected artwork by
Fanny Bostrom

we've been in all week painting & it's looking amazing...
see you there!

3 Lowndes Court, W1
(just off
Carnaby St - next to Diesel)
X marks the spot


Download Swanfield press release here

Watch this space for upcoming events at Swanfield: www.myspace.com/swanfieldinn


Wednesday, June 17, 2009

Attention Small People


If you're about 5ft8 or under you maybe interested in some shirts we have for sale on catwalk genius. They are labelled as girls sizes but a size 12 is a mens size small and a size 10 is a size extra small. They are pretty special shirts left over from a Japanese order from Autumn/Winter 2008 at a pretty special price of 59 Euros (about £52 I think), reduced from £105.

5 Pocket Shirt

This is a variation of a shirt I have been doing since the very beginning of my Rushmoor days. Its based on an American Chore Jacket.




However it is re-worked as a shirt. These 2 are in 100% Wool and have the added bonus of being fully lined. The 5th pocket is our trademark little welted pocket, which comes in very useful for carrying small packages or money.


Black Check

(I dont have the high res pictures but go on and catwalk genius and you can see the garments better there)

Blue Check
Zip Reversible Shirt

Another shirt which is more like a jacket. 100% cotton chambray and flannel check. Lots of work has gone into the designs of these to make sure they are balanced when worn either way. They have our trademark trim, in cotton chambray, along the waist and have some nice utilitarian pocket details.

Selectism gave this piece a nice little write-up a while back

Red Check

Grey Check
I dont have any good pictures of the chambray side but you can see it on Oki-Ni...here

Theres not many left so you better get in there quick if, like me, your one of the short people.

Thursday, May 28, 2009

Provenance Pea Coat Blog Series; Part 3 - References

I have collated 3 different pea coat or reefer jackets to use as references for my design. I have another French Pea Coat waiting for me in London, one of the ones with red anchors on the lapels;

The picture above is a just an example of what it looks like, as I am in Spain at the moment, so I will post the picture of my actual one later. I will use elements of all these references for my final design and of course add my own touches.

The one key thing for me is the fabric. I am designing for Spring Summer 2010 and even just trying on these super heavy wool jackets here in sunny Spain is a horrible experience. So there is no way I can make this jacket from wool, however if this design is successful and sells well I can use a Melton wool for Autumn Winter 2010.

REFERENCE 1; US NAVY PEA COAT




The delay in putting up this post is because I have been waiting on a problematic delivery from eBay of a US 8 Button Pea Coat. However it was worth the wait as its a particular nice example. It has the familiar rank (or 'rate' as it should be called) insignia on the upper left arm. This one is a Petty Office First Class, which is the sixth enlisted rank in the US Navy (E-6), they are Non-Commissioned Officers and equivalent to a Sergeant in the Army.


The icon above the rank which looks like a telephone indicates the owner of this jacket was an Interior Communications Electrician. These people are responsible for the installation, maintenance and repairs of the equipment needed for interior communications within ships and shore facilities. These communication systems include public address systems, interior telephone systems, alarm systems, engine telegraphs to communicate orders for changes in engine speed from the bridge (ship's command station) to the engine room, certain kinds of ship control and equipment monitoring devices, the ship's gyrocompass, the rudder position indicator, audio-visual equipment for the ship's TV entertainment systems, advanced navigation and various other equipment. But basically they perform the same basic role as Nyota Uhura from the USS Enterprise;


The chevrons are red, which is very typical, but after 12 years if the sailor has been a good boy he gets gold chevrons;


I have dated this jacket as somewhere between 1967 and 1979, although I am by no means an expert. The reason that its post 1967 is it doesn't have the cord pocket lining and the reason its pre-1980 is because its made from navy Kersey wool which was phased out and replaced with black Melton wool.

One of the many reasons I love military surplus clothing is the labels. They often give you lots of clues to the manufacturer and also to the person who wore it. I like seeing the persons name written across the label and it always makes the piece a little bit more special. This guy was called EP Goodmon, so hello if your reading!;


I know I can get this coat exactly dated and find out lots more about it. but it requires lots of research and hard work. Therefore if I get enough requests in the comments section I may spend a couple of days doing this...so please let me know if you want to know more. I won't waste my time if I'm just boring people!!

REFERENCE 2; BRITISH RAIL WORKERS COAT




This is a British early 1950s pea coat style jacket. It is probably a rail workers or a miners jacket. It looks a little like the one from my research pics;


This jacket is longer and more like a bridge coat and is made from the familiar British Melton wool with a visible raised twill weave. It has leather cuffs which is a nice touch and very common on utilitarian British vintage clothing.


REFERENCE 3; FRENCH MERCHANT NAVY OFFICERS PEA COAT


The final reference is a French Pea Coat. It is cropped and quite fitted and again it uses Melton Wool. This jacket looks like the jacket (which I have posted before) the guy (Johnathan Ross?!) from the Sartorialist is wearing;



The key thing with this piece is the gold anchor buttons which are very close together on the front and also used (somewhat pointlessly) on the cuffs. Gold buttons usually signify an officers coat.

It is hard to date or know to much about this jacket as there is not much information available on French Pea Coats however the back neck label gives some clues. For starters its ink stamped which probably means its quite old, say pre-1970s.

It also says Le Havre on it which is in Normandy in Northern France and is the second largest port in France. However there has not been a military base in Le Havre since 1829 and I very much doubt this jacket is that old!

Incidentally Le Havre was an important port during both World Wars and was occupied by the Nazi's until 1944 when it was liberated during Operation Astoria by the British 79th Armoured Division and the 1st Canadian Army. Although 3/4 of all its buildings had been destroyed by this point.


This all leads me to believe that is jacket is a post-WW2 French Merchants Navy Jacket....but this is all of course complete conjecture!

So there you go 3 pea coats from 3 countries which should cover all the bases in my research.

Tuesday, May 5, 2009

Gregory Crewdson


I was stroking my chin, listening to Yo La Tengo and noticed the album artwork above. It was pretty obvious straight away who the photographer was, one of my favourites; Gregory Crewdson.

Without thinking I am Graham Greene, like my most utterly pretentious music journalists, his work seems to be a cross between Edward Hopper and David Lynch. What I do know is that these shots are meticulously put together and shot with the sort of high budgets and attention to detail usually reserved for cinema.

Anyway I will let his work do the talking...

Wednesday, April 29, 2009

AW09 SNEAK PEAK

Apologies for the shoddy photo quality but these were taken on my rubbish digital camera.

Most of this gear is made in the UK using UK sourced materials and trims.


Tuesday, April 28, 2009

URSULA 'MOLLOY' JACKET


The new SS10 collection has been so thoroughly researched I have barely left myself enough time to actually put the collection together! But things are moving along swiftly now...

The Royal Navy has been a joy to research. I love war (OK I don't love war per se! But since I was about 4, like a lot of kids, I loved all that Boys Own stuff) and it seems I am not alone as there is a wealth of research material available. In particular on World War 2 which is the focus of this collection.

My Grandad, who is sadly not around any more, served on the Submarines during the war and I wanted this to be a focus of the collection. During my research I stumbled across a piece called the Ursula Suit that instantly grabbed my attention, probably because it is made from waxed cotton, a fabric I have been in love with for many years. However there is very little information about this piece but the story goes this oil skin, foul weather suit was designed by Captain George Phillips, one of the most celebrated submarine officers of World War 2. In 1937 Phillips took command of HMS Ursula, one of the first U-class submarines.


HMS Ursula was a U Class submarine laid down in 1939, launched in 1940, and commissioned in August of the same year. The U Class was originally intended to serve as unarmed targets for anti-submarine vessels but with the threat of war tactics were changed and from 1937 they were modified so that they could undertake short offensive missions. Their small size meant that they were particularly effective for operations in the North Sea and Mediterranean. Ursula was the first submarine to fire British torpedoes during WWII when attacking U-35 in September 1939.

HMS Ursula managed to manoeuvre through a thickly sown minefield that was often known in the service as "Hitler's Cabbage Patch". They were then able to sink a German cruiser of the Köln class by bravely diving beneath the destroyer screen surrounding the cruiser, and although they themselves were damaged in the blast, Ursula made the safe return home. The captain Lt-Cdr G C Phillips was awarded the DSO, along with two DSC's, seven DSM'S and ten Dispatches granted to the other members of the crew. At the end of WWII she served in the Russian Navy, and between 1944 and 1948 was renamed B4. Ursula was broken up in 1950.

Phillips was unhappy with the standard pre-war issue foul weather gear which consisted of oil skins, hats and towels wrapped around the necks. Watchkeeping onboard submarines could be quite a physical ordeal in rough weather, with the submarine bridge being only a few feet above the sea level.

Lieutenant Lakin, Ursula's navigating officer was a keen motorcyclist who wore a one-piece over-suit made by Barbour. Phillips told him to wear it while he doused him with a fire hose. Despite the force of the water, Lakin remained dry. Phillips decided that the overalls, with a few alterations, might be the answer for submarine lookouts and bridge personnel.

Phillips visited Barbour in South Shields and persuaded them to cut the suit in two, make the jacket hooded and the trousers with elastic at the waist and ankles. He paid for the prototype suits out of his own pocket. Warm, comfortable and waterproof, they became standard issue in the Submarine Service.

(Photo courtesy of The Royal Navy Submarine Museum)

Here is a picture of Commander Phillips but this is not an Ursula suit jacket, as some websites would have you believe.


This is actually a Barbour International Jacket

It has been modified, probably by Phillips himself, with the addition of a hood. I would imagine a hood is very useful if you are poking your head out of a submarine just a few feet above some treacherous water like the North Sea. It seems, and I am only guessing here, that Phillips used his modified jacket until he managed to develop the Ursula suit. The Ursula Suit has less pockets than an International Jacket, presumably because you don't need as much stuff in your pockets in a submarine as you would on a motorbike or it could be due to scant resources available during the war and the extra fabric needed for the chest pockets. What this illustrates is that it only takes one person to get it wrong on a blog post or web page and then it snowballs and people start to think its a fact. The only correct article I could find on The Ursula Suit is here.

I needed to know more and couldn't trust what people write on blogs (but you can trust me - because I do my research properly!). I asked a nice man, who appeared to know a bit about it, on a Submariners forum if he had any more info on the Ursula Suit as I really wanted to see one up close. He confirmed its a very rare item which he has only seen once at the submarine school at HMS Raleigh in Cornwall and it is mentioned in Cmdr Phillips autobiography. He also said the famous picture of Commander Phillips reappeared in a small booklet produced by Barbour last year and given away with The Field magazine - but that makes me think if its the above picture then even Barbour got it wrong and its their jacket! It seems its all conjecture when dealing with vintage clothing, something I wish someone would sort out - the Free & Easy musuem is excused though.

My next avenue to explore was my vintage dealer friend who I was sure would at least know about it and low and behold he actually had one! BUT it was just on its way to the US and it was going for a four figure sum, which just shows how rare and sought after these things are....he says they pop up very rarely and I am next in line if and when the next one appears....time to check your Grandparents attics and drop me an email!

However my major breakthrough came when I emailed The Royal Navy Submarine Museum in Portsmouth, as I had heard they had one on display there.

A very nice lady from the musuem got straight back to me with a document explaining its history and some extremely useful photographs from their display - one of which is above and the other is here;

(Photo courtesy of The Royal Navy Submarine Museum)

Worn with the suit is the traditional cream, roll neck 'woolly pully' and suede sea boots. The roll neck sweater, which remained constant through both wars, was made by J Pick & Sons who also made cardigans for the Crimean War.

She also told me they have photographs of the suit being used onboard submarines within their photo archive, which I am in the process of getting my hands on. I have to say its fantastic that they are so open to sharing the information and cannot speak highly enough of them.

My final breakthrough for me was the most poignant of this exciting (well for me it is) research and that's when I asked my Gran what Submarines my Grandad served on....her first answer couldn't have been more perfect....HMS Ursula!

So it just feels like fate that I found this jacket and I am going to do my very best to bring it back to life. However I am not going to just copy it, if you read this blog you will know I am not about that, but I will try my very best to take some of this garments history and put it into something new for the 21st Century. Well that's the idea anyway!

I have not been to the Submarine Museum yet to see the jacket up close as I am currently living in Spain but will definitely pay a visit, with my Gran who also wants to go, on my return to the UK and post the findings - especially since they were so generous with their information.

Now to the design of my version. I have noticed that Barbour rarely put hoods on their jackets, well not built-in hoods anyway and this was partly the inspiration for the Stansfield Country Jacket.


The Ursula Suit is very similar to this piece although it appears to have a flap across the neck, only 2 pockets and it has the belt too. For the Stansfield Ursula I am going to keep the two front pockets, add my little trademark welted pocket (zipped this time), add some sort of neck strap, remove the belt (because I really hate belted wax jackets) and replace with adjustable side buckles. I will also keep the velvet collar which you see on 1950's Belstaff Trialmaster's.


None other than the Great Nigel Cabourn (who worked for Barbour) informs us this was common on Barbour's too.


I will add more little details to my version but I will try to be as faithful as possible to the original. However the fact I dont actually own one of these jackets gives me a bit more poetic license.

Where the jacket will differ most is in the fabrication. Whilst I was in Las Vegas I met a friend from London who I had not seen in a while, we bumped into each other next to the somewhat bizarre (well not for Vegas!) bath tub they have on the dancefloor at the Tao nightclub in the Venetian - the 'just like Venice' casino;


His name is Richy and his family's business who he works for is called Kakadu.


They are a traditional Australian workwear brand and the quality of their gear is really amazing. I love the line they use in their bio; ''materials that give our products the guts to get the job done time & time again''. The origins of Kakadu's oilskin canvas are traced back three generations where ancestors manned a lighthouse serving the remote Southern Ocean of Australia. Oilskin canvas was constructed using a wringer mangler so they could protect wharf equipment and themselves from the harsh elements.

The fits are not really suitable for the fashion market as....y'know...this is actual proper workwear (not poofy fashion workwear!). This will be rectified with Richy's new more fashion orientated brand - Whillas & Gunn - which from the photos in the look book is looking pretty damn on point.


Anyway their factory have the machinery to treat any fabric you give them. This got me immediately excited...no more trawling through millions of wax fabric swatches in 7 shades of brown! It gives me the opportunity to try treating more unusual fabrics, which people haven't really done before or at least to my knowledge. Very kindly they have agreed to manufacturer this Ursula jacket for me, as well as a couple of their amazing bags.
For this season I have kept the fabrics relatively simple but still interesting I hope. So the fabrics I have chosen are; white selvedge denim, cotton chambray and hickory stripe denim - this stuff;



So that's the URSULA 'MOLLOY' JACKET as it stands now. I will post more about this, such as my ideas for the linings, as and when it happens.

Oh and the 'Molloy' bit is my Grandads surname and its dedicated to him, so I really want this one to work out!

Next up to post about is the Pea Coat, which is long overdue, but I am now ready to write the new installment - The Reference Samples. So thats another 17 hours out of my life then!

Saturday, April 25, 2009

THE RUINS OF DETROIT

Amazing, very post-apocalyptic photos of Detroit by two French photographers; Yves Marchand & Romain Meffre










Wednesday, April 22, 2009

SPANISH FISH TRADERS


I went down to the local port today to watch the fishermen bring the catch in. Fishing is still a very important industry here and the region is famous for its tuna. I don't know if you saw that BBC4 programme on the Japanese's obsession with fish but, like with almost everything, they are prepared to pay big money for the best. The tuna season is about to start here and the Japanese ship will soon be pulling up out at sea to get the best quality Atlantic blue fin tuna and send back home, probably on Concord or something....anyway they are big fish.


And controversially endangered.....but I am not going to get into that.


The harbour is full of these quaint little fishing boats;


And features some nice brutalist architecture;


Here's the (camera-shy) hombres waiting for the catch to come in;


This pretty little boat had lots and lots of silver eels (or whatever they are called) aboard;


The Spanish are very keen on smoking.


All sorts of fish (and sharks) to be found;


The shark above (or dogfish...but shark sounds better) is probably destined for Cadiz to be made into Cazon en Adobo, a regional speciality predating English fish and chips. Its fried in vinegar, flour and spices and tastes very familiar to my English palette...except better.

You buy it from Freiduria's in Cadiz, which look a little like chippies to me. So it seems that's another tradition we have stolen from elsewhere...is nothing sacred?


Anyway the fish are put on a conveyor belt to await their presentation to the fish buyers....this is their catwalk moment;


The fish are entered onto the big computer thing and all the buyers bid on each tray. It seems very democratic. But I was still wondering if fish buyers are power-mad, self-important, sadists like fashion buyers (only joking!) and whether they bully the fishermen...I decided they do...What is certain is the fish (like models) are treated like pieces of meat.


The buyers are my only tentative link to the world of fashion, as I was hoping to somehow get inspiration from this visit, but unsurprisingly the salty sea dogs down here don't rock the Breton tops, fishermen's cagoules and sowesters....or look anything like this dude;

or this one;

THE SOUNDTRACK TO SS10

Thursday, April 9, 2009

Workwear and big boots is not a new thing...

We were doing this in 1993 too...just in a slightly different way. Also not really wanting to blow my own trumpet (but I will do anyway) but I have been doing this workwear thing for a lot longer than most. Even the fashion kids have adopted it as there new fad, until a week on Tuesday when they all move onto space suits or medieval chic or something?



Used to absolutely love this video, not sure what happened to these nice young chaps but they were hot for maybe 3 months 16 years ago.

Sunday, March 29, 2009

SAMPLE SALE (& THE BATTLE OF TRAFALGAR)


If you live in London then we are having a sample sale on Thursday 2nd April in Clerkenwell. Its in conjunction with the more than excellent brand Folk. Womenswear is being taken care of by my two good friends; Katherine with her brand Mine and Cecilia Hammarborg.

See the flyer for all the details but needless to say there will be some big savings to be had on old stock and a fair few one-off samples...

Posting has been a bit slow this month. Partly due to the fact I was in the US and partly because amongst everything else I am in the midst of designing the SS10 collection. The missing US Navy Pea Coat reference has still not arrived (typically sketchy ebay sellers!) and has delayed my posting on the progress of the design, but I definitely have some ideas now for the jacket...

I am currently living in Spain in an effort to fully focus on the design for the collection. I am on the Costa de la Luz, very close to the wonderful city of Cadiz on the Atlantic coast.


There's hardly any English people in these parts, which is a relief considering what we did to the Costa Del Crime just around the corner.


It is somewhat pertinent for this collection that the place where I have been occasionally going to do work during the day is this old shack

On the beach facing the ocean.


It just so happens that the little nondescript lighthouse you can see in the picture below is Cape Trafalgar, the scene of Britain's most important sea battle two hundred years ago.


There's barely anything there bar a plaque to commemorate the occasion, but given that the Spanish (& French) lost its not surprising.


Tactical brilliance from Admiral Viscount Lord Nelson won the battle for Britain.


But the price was high...Nelson died.



Anyway I am not particularly patriotic but it feels right to be designing a Royal Navy inspired collection in such a location.

...apologies for the out of sync video but like everything in Spain (or Portuguese in this case) its dubbed very badly...

Thursday, March 12, 2009

NEW YORK

Over 10 years ago my trip to New York would always involve Niketown, Fat Beats, Bobitto's little shop in the East Village and persuading my girlfriend that a trip to Stapleton Projects and Killer Hill (Park Hill) in Shaolin (Staten Island) to see the Wu, Bucktown (or Brownsville) to see Black Moon, Queensbridge to see Nas and Mobb Deep or to the graffiti hall of fame in Harlem was a valid cultural sightseeing trip.

Somewhat wisely these requests were always flatly turned down so I never got to go. I still secretly wouldn't mind having a little peep and I did drive through Bed-Sty (Bedford-Stuyvesant) in Brooklyn once! But these days my trips to NY involve shopping....well not shopping exactly, but looking at shops. I would also imagine, given New York's new super clean image, that they all have Starbucks, fashion stores for baby's and organic delis installed now....or maybe not?!

It has to be said that the retail scene in New York is infinitely superior to London. Gone are the days when there were lots of interesting shops in Soho and Central London. When stores like Duffer constantly introduced new brands and trends and showed how far ahead of the game they were. Nowadays most of the interesting shops are in East London and Central London is obviously too expensive rent-wise, either that or people are too scared to take a risk because Central London is crying out for a decent independent store, especially given that all the department stores are increasingly playing it very safe and boring.

So my trip was slightly messed up due to the Las Vegas stolen passport incident. I had to go through a wealth of security checks and thorough searches of my British army boots in case I had some craft cheese slices taped to an alarm clock hidden inside. As such I missed my flight to JFK and got re-routed (or 'rowted' as I said to help me blend in with the lingo) via Houston, Texas. I lost the day I planned for touring the shops but got to La Guardia airport eventually. My bag with the collection inside however decided to go to JFK instead, which somewhat made all the security checks pointless as the bomb could have been in there. They would never allow this to happen in Europe but the beauty of flying internally in the US is that if you miss one plane you just jump an another and there's no paying for new tickets.

So most of my time in New York was spent in the hotel room doing appointments....we stayed at the Soho House, so that was no bad thing. I was planning on a little hunt for vintage in Brooklyn but I had to rule it out, no bad thing really as I am only on the hunt for British and French vintage these days (and trying my best not to copy it verbatim - unlike some of my more esteemed peers) and leave the American thing to every man and his dog.

Anyway here's a quick review of the ones I did get to...there are probably more but these are the ones that stood out to me;

45 RPM - http://rby45rpm.com/

They seem to have gone a bit crazily creative with the merchandising to the detriment of finding something you want but the clothes were very much of a high standard with price tags to match. Apparently they pour tea on the floor to make it smell nice. Its also near the dogs creche which was a life affirming moment to see them all getting on so well , with the occasional argument over who gets the ball.


RRL - http://www.ralphlauren.com/shop/index.jsp?categoryId=1983263

In one word; disappointing. I had high expectations but found little of interest in there. The store design is great but the clothes were quite boring and looked like the mainline collection minus a good iron.

ODIN - www.odinnewyork.com/

Best store in New York. Great selection of like minded brands....don't really have to say any more.

OPENING CEREMONY - www.openingceremony.us/

Bit of a jumble sale. Unlike Odin there is no direction and it seems the policy is to buy as many different brands as possible to cover the bases and then stuff them on the rails. That being said they sell Haversack which is always super impressive, they had that amazing patterned jacket using some old 70s Abercrombie fabric they had somehow managed to discover.

They also had a new brand I never heard of before that was definitely as good as Haversack. Its called Beauty & Youth by United Arrows. www.beautyandyouth.jp . Although this is a Japanese website and I cant make any sense of it!

FREEMANS SPORTING CLUB - www.freemanssportingclub.com

A classic American hunting store which seems to be very much a theme in NY at the moment. The inspiration certainly comes from classic English hunting outfitters but with a strong American angle. A wonderful store with a very nice barbers at the back.

FOOD

We also had a few very good meals which is another thing New York excels at over London...the general standard of food is far superior and more reliable. London still has some great restaurants but they are either very expensive or difficult to track down for the tourist. The top 3 were;

MARY'S FISH CAMP - www.marysfishcamp.com/

Tiny restaurant. No booking policy. Amazing seafood. Great atmosphere. Well priced. What more do you want?

FREEMANS - http://freemansrestaurant.com/

Down the passageway next to the Freemans store. Very trendy, obviously a bit of a hang out for the cool kids. The food was very good. Very nice studied, ramshackle interior. Most importantly we had wonderful company from some people we met behind a label called Mercy from Toronto (www.mercystudio.com), which is an amazing womenswear brand using lots of British fabrics. More about them in the future.

CAFE HABANA - http://ecoeatery.com/

My friend kept nagging me to go there so this time I finally paid a visit. It is truly a wonderful place. Great Cuban food at great prices and possibly the friendliest waitress in New York. Proves that you don't have to spend big money at some trendy restaurant to have a great night out. Its also all chromed up which I love.

FINAL THOUGHT

Another thing I have noted before about New York and the street style is there are a lot less 'trendy' people than in London. Whether this is a good thing is open to opinion because everyone in London seems to be rocking some kind of look. However if that look involves the obligatory uniform of skinny jeans, pointy shoes, badly fitted dead grandads suit jacket and silly hat coupled with an entirely un-warranted superior attitude then London is definitely not 'cool'.

So its not cool then I guess.

Anyway moving on.....

Saturday, March 7, 2009

LAS VEGAS


So I have not managed to post any blogs over the last few weeks as I have been on a little sales mission to the USA. We were invited by the people from the Magic trade show in Las Vegas to exhibit our new A/W09 collection alongside a handful of very nice European brands. We were looked after supremely well by the Magic people and Exposure PR from London and the show was a success leading to one particular new unexpected opportunity involving my homey Ernest Hemmingway (will post about this in the future);
I thought I knew what to expect from Las Vegas but you truly have to go there to really know what its like. Its pretty disgusting. It is hands down the naffest place in the world. This is what happens when you let society feed on its base instincts. All the wrong people seem to end up there or at least turn into the wrong people when they arrive.

Anyway despite all this I had a ball and I suppose that's the problem! But I was still pretty glad to leave and am in no rush to return - apart for purely work reasons!

One interesting chin-stroking event did occur in between all the displays of fake boobs, jaw droppingly foul-mouthed girls on hen nights, throw yo hands in the air parties, numerous offers from hookers, the chronic, stupid gambling, identikit big baby t-shirt homeboys with terrible swaggers, stolen passports and the greatest ever example of doughnut eating, pig shit stupid, security guards on my hunt for said stolen passport (eg. ''why would someone want to steal a passport?'')

This was a talk by Lynn Downey the historian for Levi's and author of this book on the history of denim;

http://www.amazon.com/dp/0738555533?tag=indigofan-20&camp=14573&creative=327641&linkCode=as1&creativeASIN=0738555533&adid=0YEKHRZJKT146F8C5VWF&
She brought along some examples of Levi's from over the years including the oldest known pair from 1879, worth $125,000. There were also some very nice chino's on display but unfortunately they would not let me take photographs, I was not going to argue as she had a security guard stood right next to her literally the size of William 'The Refrigerator' Perry.


You can read more about her here, but she seemed like a nice woman and very enthusiastic about her job;

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2006/08/02/BUG94K9ET51.DTL

I sat at the front like a good schoolboy with John from Oki-Ni and even asked questions at the end, which is not like me. I asked her about those $60k Levi's sold on eBay and she told me that they paid way over the odds for them....sucker!

And to put the record straight from a rumour I heard many years ago that Levi's sold their original looms to the Japanese she told me that Levi's never owned the looms, they are a manufacturer not a fabric producer...d'uh!

Anyway in case you didn't know the original Levi's 501 XX denims were produced by Amoskeag Manufacturing Co. in Manchester, New Hampshire using Drapers looms;


If you want to use denim from these looms these days I think you need to go to Cone Denim in North Carolina and no doubt Japan.

You also need to use real indigo dying, which I am told is an extremely smelly process. I am no denim expert and have steered clear of getting involved in offering denim for Stansfield, so please correct me if I'm wrong. Indigo dyeing is definitely of more interest though.



Anyway here are some really nice pictures of the Amoskeag Mills. I love the fact that Manchester in both the UK and the US has this strong connection with the production of cotton and clothing, and these photos look so similar to the mills in the North of England;







If you want to know more on the history of denim, here is a nice little pdf from Levi's

http://www.levistrauss.com/Downloads/History-Denim.pdf

That's the end of my Las Vegas report. The next post to come is on New York, a totally different place and much more my cup of tea. I did finally manage to get there without a passport but not without a whole load of trouble, anyway I suppose its what you should expect from Sin City and all that....

My Pea Coat series is on hold as the final reference sample was returned all the way back to the US for address problems, so somewhat fittingly it is now on its second trip across the Atlantic. When it arrives I will have 2 British, 1 French and 1 American Pea Coat to work from and will be posting up the investigation.

Thursday, February 12, 2009

Stifel


I went to pick up a particularly nice British workwear jacket today from my favourite vintage supplier. Whilst I was there I also managed to get the final piece in my pea coat reference sample jigsaw. Its a 1950s British rail workers pea coat and its perfect.

We got talking about rail workers vintage and the prices people will pay for certain things. Early 20th Century American workwear is going for serious money now. It seems the mixture of vintage clothing people, people who just like a certain era and railway enthusiasts help increase the prices. I buy missing issues of free & easy to complete my collection from railway collectors. Railways seem to inspire the most geekiest of the geeks. Some people are into model train sets, steam railways, memorabilia etc and of course then there is the pinnacle of this whole movement - train spotters. Actual train spotters.



Particularly popular are any indigo dyed fabrics made by Stifel ( http://www.fabrics.net/joan1003.asp ) and in particular the Wabash stripes, the name of which comes from the Wabash railroad ( http://en.wikipedia.org/wiki/Wabash_Railroad ). Here a Stifel fabric shirt that went for an eye watering $7,100;

( http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=280303993520 )


If you think that's a one off, or that someone entered a ridiculous high bid to make sure they got the shirt and got their bluff well and truly called, then here's another that went for $2,575.

( http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ssPageName=STRK:MEWAX:IT&item=120371461691 )

Not quite sure where the $5,000 difference is but it goes to show a) how rare this stuff is & b) how much some people (idiots?) are prepared to spend on it.

British and French workwear can be equally good but is a lot cheaper. Long may this continue because I don't fancy these kind of bidding wars! My vintage selling friend is probably hoping for the opposite and although he gets his fair share of big spenders from the Japanese its not quite in the league of $7,000 shirts or those $60,000 Levi's from a few years back; ( http://www.forbes.com/2006/12/07/expensive-jeans-denim-forbeslife-cx_hp_1208expensivejeans_slide_2.html )


If you have a spare few grand to spend on some dirty jeans then a good place to start would be Heller's Cafe ( http://www.hellerscafe.com/cat/intro.htm )

Apparently they are also doing exact replicas of vintage pieces which I still cannot really see the point of. Recreating something with history just seems very naff to an English snob like me....Jorvik excluding that is!! ( http://www.jorvik-viking-centre.co.uk/ ).

Which reminds of a trip when I was a teenager to Virginia in the states where they had one of those re-creation villages for the first settlers, with people dressed in all the garb and pretending they are still living in the 17th Century. Its all very childish and beautifully parodied on South Park ( http://www.southparkzone.com/episodes/1207/Super-Fun-Time.html )

Free & Easy


For a while a couple of years back I thought nobody knew about it. I wanted to keep it a secret. I thought there was only one copy and I was the one who got it. But these days it seems everyone is going on about it. There is no point hiding it any more - Free & Easy - the best menswear clothing magazine the world has ever seen. Its the ultimate reference bible for American men's vintage clothing.

These days I look forward to my monthly trip to the Japan Centre more than anything else. I asked how many copies they get each month - the results were not good. This doesn't even count the mail order people. The cat is well and truly out of the bag.

I always thought the Japanese approach to magazines was infinitely better than the Western way. Its radically different but much more conducive to the male geek gene. Everything is looked at in minute detail and they certainly know how to source amazing vintage. The themes are repetitive but gloriously so, I love all that Japglish and the whole 'rugged man' thing is so precise its bordering on the homo-erotic. I have never seen so many pictures of Steve McQueen! He seems to pop up in every issue.

They also have a museum/shop in Tokyo. They probably wear surgeons gloves and use tweezers to pick up rare 19th century workwear. They take it to a whole other level and I can only bow (Japanese style) in complete respect and admiration.

Ive just got to start to learn to read Japanese as maybe I am only getting 65% of the Free & Easy experience...and I want to know everything.

Now if only someone could do one for European work, military and country wear....now there's an idea!